There’s a beautiful, wrenching scene between Oliver and Laurel - Amell perfectly desperate, Cassidy perfectly confused - when Oliver asks to skip the wedding, skip the ceremony and the waiting to get married right that instant. “Stop trying to throw it away.”Īnd that is the conflict at play through all of this the difference between reality and a dream the line between getting what you need and being handed what you want. John, enraged, throws Oliver back into the elevator: “You have everything. Oliver tries to convince John that this perfect world where everything is beautiful and nothing hurts isn’t theirs to live in. But this scene is also key – to the episode, to Oliver, to Arrow as a whole. It’s not long before Oliver, on the night of his rehearsal dinner, finds himself traveling almost on instinct into the Arrow Cave, where he finds Felicity and John, who has taken up the Green Arrow mantle to atone for his actions overseas.įirst of all, I’m all the way in on an alt-universe spinoff where John Diggle is the Arrow, because David Ramsey is terrifying here, probably more intimidating than Stephen Amell at his most violent. And in the middle of the city, a building bearing the name Smoak stands taller than the rest. Someone is running around under the green hood, but it’s definitely not Oliver: “You know I’m not much of a fighter,” he tells his father. A piece of fatherly advice from Robert Queen flashes to a rain-drenched life raft and a gunshot. Oliver - and, soon, the rest - keep flashing back to a life much darker than this one, more painful (I’m not going to assume all of you watch HBO’s Westworld so, trust me when I say this is basically the exact plot of Westworld). A simple chat between Thea and Moira over the wrinkles on a bridesmaid’s dress cuts to Moira’s brutal death in front her children. Beautiful, warm, whole and so, so strangely normal.īut it’s also wrong. Thea runs Verdant, Sara does not belong to a mystical assassin cult and life is…normal. Slade Wilson never drove a sword through Moira Wilson’s stomach. Robert Queen never shot himself in the middle of a stormy ocean. ![]() Oliver, having never stepped foot on his father’s yacht, is set to marry a very-much-alive Laurel Lance (Katie Cassidy, not missing a physical or emotional beat). Here’s the gist: The Dominators, introduced as quite possibly the galaxy’s least interesting extraterrestrials in The Flash, have Oliver, Diggle, Ray, Sara and Thea hooked up to a device, a sort of pseudo-virtual-reality in which our five heroes are living their best lives. ![]() Jamey Sheridan as Robert Queen and Susanna Thompson as Moira Queen. Either way, there’s no denying it offered something we’ve never seen and certainly something new for Oliver, John Diggle, Sara Lance, Thea Queen and Ray Palmer: It offered a world without loss. A day later, I can’t decide whether it was an annoying distraction from the main storyline or the best Arrow episode in all five seasons. It was Arrow both at its cheesiest and its most effective. ![]() But “Invasion!” made up for it by going for the gut, and not in the way it, uh, usually does. ![]() As part three of the CW’s four-night mega-DC-crossover, it lacked the straight fun and bombast of last night’s The Flash. That’s…a little more complicated, and also the general theme of last night’s at-once heartwarming and heartbreaking hour of Arrow. Who would Oliver Queen be, had he never stepped foot aboard the Queen’s Gambit? What would he be without Lian Yu, without Slade Wilson, without Amanda Waller, Ra’s al Ghul or Bratva? What could he do with a body more ravaged by years as a billionaire party boy than it is by a network of criss-crossing scars? What if Oliver Queen had never, as he’s officially been saying for 100 episodes now, “become something else?” What if he stayed the same? Would he be happier? Almost undoubtedly. But would he be better? (L-R): Brandon Routh as Ray Palmer, David Ramsey as John Diggle, Stephen Amell as Oliver Queen, and Caity Lotz as Sara Lance.
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